Your guide to antique pottery marks, porcelain marks and china marks Pottery Marks Index A collection of pottery marks using photos and images from our antiques collection For easy reference and as a quick guide to the possible attribution of your latest porcelain collectible or pottery marks. The marks listed below are grouped as far as was possible in a logical order, with similar signs, graphics, etc grouped together. We have tried to include as many pottery marks as possible, but also tried to avoid too much duplication. Scan the index of pottery marks until you find a mark similar to your mark. If we have additional information on the mark you can click the image to open that section. If no additional information is currently available, the potter will be named below the image and clicking will open the Antique Collectibles gallery, to assist you with any examples of the potters items we may have listed.
Production consisted of earthenware cooking pots and lasted till the s and 30s, when cheaper and stronger ‘faiences’ from northern factories Digoin, Sarreguemines, etc. At that crucial point Vallauris had to reinvent itself or die. This section of the blog aims to celebrate the contributions of these unsung heroes. Hand-thrown, with their traditional twisted handles, these pots retain an integrity which stands out among the works of other manufacturers, who started using the forms of cooking pots to produce ash-trays, ‘vide-poches’ and other tourist trinkets.
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The curved lines of Nouveau were more inclusive and Feng Shui positive then the exclusive and more hostile sharp angles that followed with Deco. Art Deco was of the Machine Age and it adopted its streamline technologies such as modern aviation, electric lighting, radio, ocean liners and skyscrapers for inspiration. The art deco style, which above all reflected modern technology of the time, was characterized by smooth lines, geometric shapes, streamlined forms and bright, sometimes garish colours.
Art Deco was used extensively in the United States for railway stations during the s, being designed to represent the modernity and efficiency of railway trains. The foundation of Art Deco: The foundation of Art Deco was based on mathematical geometric forms. The ability to travel easily and the numerous archaeological excavations during this period; the tomb of Tutankhamun, Pompeii, Troy, etc.
The value of an item is dependent upon many things, including the condition of the object itself, trends in the market for that kind of object, and the location where the item will be sold. These are just some of the reasons why the answer to the question “What’s it worth? Take note of the date the appraisal was recorded. This information appears in the upper left corner of the page, with the label “Appraised On.
Find great deals on eBay for sarreguemines fruit plate. Shop with confidence.
First of all I look at the back mark. With the following knowledge – which may be considered over simplification – I can identify most of the Antique Haviland China that I come in contact with. On a rare occasion I need to turn to my reference books for an unusual mark. There are 2 marks on the back of Antique Haviland china – one represents the manufacturer and the other represents the decorator.
If there is just one mark the china was sold as whiteware and usually decorated elsewhere. Sometimes there is also a mark representing the store the china was produced for. This mark is the one most often found and dates to c. This was the period during which most Haviland china was sold. Again these marks are also found combined with store marks. Also the rarely found patterns that were named and identified by Haviland appear with these back marks. This commonly found mark and its variations date from to the early ‘s.
Myott Collectors Club
The house being featured was located in the Hamptons. For me – a lover of early English White Ironstone – this was a most dramatic focal point of this room and a perfect way to display such a collection. I often refer to this and share this magazine with visitors to my booth at the Antiques Shows we participate in. Many think these wonderful pieces from the past only have a place in a country style decor.
Sarreguemines is the name of a French town that is used as part of a china mark for Utzschneider and Company, a porcelain factory that made ceramics in Sarreguemines, Lorraine, France, from about
In two centuries time the small family venture, established during the Revolution, has gone a long way. Admirers of the lively and colourful pieces can be found all over the world. Paul Utzschneider and Paul de Geiger, real artists, have brought the small city to the top of the earthenware industry: Activities commenced in Nicolas-Henri Jacobi and two partners set up the first factory, despite the rather unfavourable economic situation. Jacobi bought an oil mill which lay alongside the river, transforming it into a pavement factory.
His good intentions, however, were not enough: Paul Utzschneider and the beginning of the expansion This young man from Bavaria took over the factory in and soon business quickly picked up again. Napoleon I became one of his major customers and placed several orders with him. The factory supplied most of the original tiles used to decorate the walls of the Paris metro during its construction. Utzschneider, an ingenious young man, introduced new decorating techniques.
The expansion was such that he had to open new workshops. He therefore acquired several mills.
Flow Blue: History and Value of Blue
English, Japanese, American Willow photos and marks as well as a few pieces made in other countries. List of known makers found by the author. Price Guide published separately. Expanded version of The First Book…arranged according to country. A few additional photos and marks. Worth and Louise Loehr, pub.
This was a decisive factor for the history of the faience of Sarreguemines: the production of crockery was stopped in and the factory concentrated on the production of floor and wall tiles. The factory La Blies was closed and in the name changed to Sarreguemines Bâtiment.
The first specific European building in the area was the Council of Europe’s House of Europe in , with the Rhine Commission being located towards the centre of the city. The Audiovisual Observatory and the Institute for Human Rights are the only institutions in the quarter to have moved into pre-existing premises: In all, there are fourteen different buildings in the European Quarter: Here, they vote on legislation concerning the environment, labour, equality etc.
The sittings are held 4 days a month in Strasbourg. The building of the European Parliament called “Louise-Weiss” after the oldest member who gave the opening speech at the 1st session of the Parliament. It is made up of 2 buildings, an ellipsis and a circle representing the exchange between democracy and power. The ellipsis, housing the vast hemicycle, is made of glass and metal and sits on the banks of the river Ill.
In the centre, the second building contains the MEPs’ offices. In the evening, the transparency of the Parliament means you can admire a play of light, which may of course vary with the intensity of the debates inside! European Quarter The European Quarter in Brussels is made up of lively squares, original shops, exceptional green spaces, world-renowned museums and, on top of all that, the incredibly interesting and attractive offer from all the European institutions.
House of European History This free museum in the beautifully renovated Eastman building presents an overview of European history and its possible future, thanks to hundreds of objects from all 28 EU member states.
No comments Sarreguemines Vaisselle was established in in the city of Sarreguemines in the Northeast of France. This region was chosen for natural resources needed to produce ceramic in the 18th century such as clay, an abundant water supply and wood, which was the sole source of energy. Beginning in the 19th century, Sarreguemines Vaisselle replaced clay with kaolin and wood with coal. Later gas replaced coal as the primary source of energy.
Following the French-German war of , the Sarreguemines region was annexed to Germany and prohibitive Customs duties were imposed.
Sarreguemines pottery marks, used since , by Utschneider, Digoin, Vitry-le-François and U & Cie.
Nicolas-Henri Jacobi until Production started in when Nicolas-Henri Jacobi together with two other partners set up the first factory despite the unfavourable economic climate. Jacobi then bought an oil mill by the river and transformed it into a stone-grinding mill. In , Jacobi took over the molds and left-over material from the facility in Ottweiler a.
Still, the difficulties in obtaining supplies of raw materials as well as the hostility and suspicion of local inhabitants remained. In addition to the competition from the large amount of English and French manufacturers, the upheaval caused by the Revolution finally forced Jacobi to give up. Napoleon I became one of his best customers and ordered several pieces.
Business quickly increased, and the firm soon had to open new workshops and acquire several mills. The protests provoked by the consequences of deforestation induced the company to use coal instead of wood, but it was not until that the first coal-fired kilns were built. In Paul Utzschneider finally handed over the management of the factory to his son-in-law Alexandre de Geiger, who erected new buildings that were in harmony with the landscape; the Moulin de la Blies mill was built in in this spirit.
The industrial revolution was in full swing, and a new architecture emerged with the appearance of saw-tooth roofs and round chimney stacks tall enough to prevent smoke from drifting over neighbouring houses. The new factories built in and completely relied on steam-powered machinery and in the workshops, modernization centred mainly on the energy needed to operate the machines. Following the annexation of the Moselle to Germany, Alexandre de Geiger left Sarreguemines and retired in Paris in
Sarreguemines Pottery Figure
I inherited a set of dishes from Hungary from my parents. The pieces are painted with burnt orange flowers and gold trim. They are marked with “Herend, Hungary, Handpainted” in blue.
The Sarreguemines pottery was established about by brothers Nicholas-Henri and Paul-Augustin Jacobi and partner Joseph Fabry. Majolica was added to its production in the s.
More Details Speak to an expert Our consultants are at your disposal should you need any further advice or guidance whilst considering your purchase from us. More Details Guaranteed Authenticity All items are rigorously checked for authenticity by our team of in-house experts. More Details Product Details We offer this superb and scare antique French Sarreguemines majolica character jug titled the Judge and dating from the early 20th century.
The earthenware jug is modelled as a smiling judge wearing a curly wig, cravat and gown with a black loop handle and painted in naturalistic majolica colours with a high glazed finish. There is a further indistinct impressed mark and a black printed makers mark. Trust in Xupes At Xupes we handpick our items from all over the world using our expert knowledge.
As a team we study the markets to make sure we provide the most interesting and sought-after items at competitive prices. Here at Xupes, you can be assured when purchasing from us that every piece is carefully selected for our collection and is checked by our in-house specialists to ensure authenticity. Our commitment to excellent customer service and our in-house expertise ensure you an unforgettable experience when shopping with us.
PM&M [Germany / Bavaria / Menu]
The fir-tree forests clutching to the green or rocky slopes form a truly wonderful natural landscape of ering a fantastic panorama over the myriad rounded peaks of the Vosges Mountains and Black Forest. Download Guebwiller – Cernay: In , the steep spur called Hartmannswillerkopf, which overlooks the valley, was relentlessly fought over. On the peak, the luminous cross of the National Monument looks out over military vestiges.
Saargemünd (Sarreguemines) : Nicolas-Henri Jacobi ( until ) Production started in when Nicolas-Henri Jacobi together with two other partners set up the first factory despite the unfavourable economic then bought an oil mill by the river and transformed it into a stone-grinding mill. In , Jacobi took over the molds and left-over material from the facility in.
John Hogan Flow Blue Pottery has been in existence since onward. The renowned Davenport Factory of Longport, England was one of the very first to have produced it on a pearlware medium. We already know as collectors and dealers that Flow Blue Pottery has been in existence since onward. There are not many pearlware examples known.
The majority of earlier pieces have been produced on an ironstone medium which post dates pearlware. As we approach onward into the Late Victorian and Edwardian times, flow blue was now being produced on a thin earthenware medium commonly referred to as semi-porcelain. As a rule of thumb, generally speaking, most flow blue was produced from about up to about However some factories produced into the s.
This is just to name several finds throughout my collecting days. Generally most flow blue ceased production due to limited cobalt supplies during World War I.